No footnotes date July 2010 Aquatint is an intaglio printmaking intaglio printmaking technique, a variant of etching . Intaglio printmaking makes marks on the matrix in the case of aquatint, a copper or zinc plate that are capable of holding ink. The inked plate is passed through a printing press together with a sheet of paper, resulting in a transfer of the ink to the paper. This can be repeated a number of times, depending on the particular technique. Image Goya El sue o de la raz n.jpg thumb The Sleep of Reason Produces Monsters , Francisco Goya 1799 Like etching , aquatint uses the application of acid to make the marks in the metal plate. Where the etching technique uses a needle to make lines that print in black or whatever colour ink is used , aquatint uses powdered resin which is acid resistant in the ground to create a tonal effect. The tonal variation is controlled by the level of acid exposure over large areas, and thus the image is shaped by large sections at a time. Another ... may be combined. The technique of aquatint An aquatint begins with a copper or zinc plate ... in creating large areas of tone without laborious cross hatching but aquatint plates, it is noted ... great advantage of aquatint printmaking, in his Los Caprichos series 1799 Los Desastres de la Guerra ... used aquatint for John James Audubon s Birds of America book Birds of America 1826 38 . http www.hockneypictures.com ... Further reading Prideaux, S. T. http www.archive.org details aquatintengravin00pridiala Aquatint engraving ... web url http www.crownpoint.com printmaking aquatint title Aquatint Crown Point Press publisher ... title The Printed Image in the West Aquatint Thematic Essay Heilbrunn Timeline of Art History The Metropolitan ... EBchecked topic 31123 aquatint title Aquatint printmaking Britannica Online Encyclopedia ... title Aquatint printmaking Hans Koernig Painter and Printmaker publisher http www.hans ... Aquatinte io Aquatinto it Acquatinta he hu Foltmarat s ml nl Aquatint ja ... more details
Infobox Military Conflict conflict Operation Aquatint partof North West Europe Campaign image File OmahaBeachFromNormandyCemetery.jpg 300px caption Omaha beach date 12 13 September 1942 place Sainte Honorine des Pertes , Normandy , France casus territory result British defeat combatant1 flag United Kingdom combatant2 flagicon Nazi Germany Nazi Germany commander1 flagicon UK Gus March Phillipps commander2 flagicon Nazi Germany Karl Maderholz strength1 10 British Commandos br 1 Free French Free Frenchman br 1 Motor Torpedo Boat strength2 320th Infantry Division Germany 320th Infantry Division casualties1 3 killed in action br 1 killed in captivity br 2 fate unknown br 5 captured and survived casualties2 Unknown Operation Aquatint was the codename for a failed British Commando raid on the coast of occupied France during the Second World War . The raid was undertaken in September 1942 on part of what would later become Omaha Beach by No. 62 Commando , also known as the Small Scale Raiding Force. Prior to the operation, a raid on the French coastal town of Dieppe Raid Dieppe had placed the German occupying forces on a high state of alert, and this ultimately contributed to Aquatint s failure. The Commandos were also unable to identify their correct landing place due to the darkness. Within minutes of landing, the raiding party was ambushed by a German patrol and forced to try and reach their Motor Torpedo Boat MTB transport. The MTB was located and engaged by the German shore batteries, which damaged one of it engines. It was forced to withdraw, leaving the commandos behind. At the end of the raid those commandos who had not been killed all became prisoners of war . Only five of the raiding ... Pound 7 8 September 1942 . ref name bi152 Binney, p.152 ref Aquatint was planned for a night ... by Operation Aquatint had yet to receive any concrete gun emplacements but there was a network ... Commandos marching past a collapsed Goatley boat of the type used in Operation Aquatint The mission ... more details
Wind and Water , color soap ground aquatint with soap ground aquatint reveral, spit bite aquatint and drypoint by Pat Steir , 1996 Licensing Fair use rationale This is a historically significant work that could not be conveyed in words. Inclusion is for information, education and analysis only. Its inclusion in the article s adds significantly to the article s because it shows the subject, or the work of the subject, of the article s . The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop. Non free 2D art duplicate file info otheraddress Image Wind and Water , color soap ground aquatint with soap ground aquatint reveral , spit bite aquatint and drypoint by Pat Steir , 1996.jpg othertext Wind and Water , color soap ground aquatint with soap ground aquatint reveral , spit bite aquatint and drypoint by Pat Steir , 1996 big Licensing big Fair use rationale This is a historically significant work that could not be conveyed in words. Inclusion is for information, education and analysis only. Its inclusion in the article s adds significantly to the article s because it shows the subject, or the work of the subject, of the article s . The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop. Template Non free 2D art end duplicate file info template ... more details
Thanksgiving Leaf , aquatint by Mark Tobey , 1971 Licensing Fair use rationale This is a historically significant work that could not be conveyed in words. Inclusion is for information, education and analysis only. Its inclusion in the article s adds significantly to the article s because it shows the subject, or the work of the subject, of the article s . The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop. Non free 2D art ... more details
John Melville Kelly s color aquatint African Tulip , c. 1937 Licensing Fair use rationale This is a historically significant work that could not be conveyed in words. Inclusion is for information, education and analysis only. Its inclusion in the article s adds significantly to the article s because it shows the subject, or the work of the subject, of the article s . The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop. Non free 2D art ... more details
Crash , photointaglio, aquatint , relief and shaped embossing by Vito Acconci , 1985 Licensing Fair use rationale for use in Vito Acconci This is a historically significant work that could not be conveyed in words. Inclusion is for information, education and analysis only. Its inclusion in the article s adds significantly to the article s because it shows the subject, or the work of the subject, of the article s . The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop. Non free 2D art ... more details
Against the Common Good II , etching and aquatint by Enrique Chagoya , 1983 Licensing Fair use rationale This is a historically significant work that could not be conveyed in words. Inclusion is for information, education and analysis only. Its inclusion in the article s adds significantly to the article s because it shows the subject, or the work of the subject, of the article s . The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop. Non free 2D art ... more details
The Windshield Sam Francis , hand colored etching and aquatint by David Gilhooly , 2001 Licensing Fair use rationale This is a historically significant work that could not be conveyed in words. Inclusion is for information, education and analysis only. Its inclusion in the article s adds significantly to the article s because it shows the subject, or the work of the subject, of the article s . The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop. Non free 2D art ... more details
Rk Stormtroops Advancing Under Gas , etching and aquatint by Otto Dix , 1924 Licensing Fair use rationale in Otto Dix This is a historically significant work that could not be conveyed in words. Inclusion is for information, education and analysis only. Its inclusion in the article s adds significantly to the article s because it shows the subject, or the work of the subject, of the article s . The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop. Fair use rationale in Art of the Third Reich Though this image is subject to copyright, its use is covered by the U.S. fair use laws because This is a historically significant work that could not be conveyed in words. Inclusion is for information, education and analysis only. Its inclusion in the article s adds significantly to the article because it is a representative example of the work s discussed in the article. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop. BetacommandBot Exclude SieBot Exclude Fairusebot Exclude Fair use rationale in Military art Though this image is subject to copyright, its use is covered by the U.S. fair use laws because This is a historically significant work that could not be conveyed in words. Inclusion is for information, education and analysis only. Its inclusion in the article s adds significantly to the article because it is a representative example of the work s discussed in the article. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop. BetacommandBot Exclude SieBot Exclude Fairusebot Exclude Non free 2D art ... more details
Liberty Club in the Sky , hard ground and spit bite aquatint and etching with drypoint by Enrique Chagoya , 2005 Licensing Fair use rationale This is a historically significant work that could not be conveyed in words. Inclusion is for information, education and analysis only. Its inclusion in the article s adds significantly to the article s because it shows the subject, or the work of the subject, of the article s . The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop. Non free 2D art ... more details
Description Aquatint portrait of Antonio Sacchini 1730 1786 Artist Unknown Publisher Quenedey Date pre 20th century Source http collections.vam.ac.uk item O185151 print aquatint h beard print collection License PD art ... more details
Francisco de Goya . El sueno de la razon produce monstruos The Sleep of Reason Produces Monsters 1799. In the series Los Caprichos Combined etching and aquatint. PD art Print published in 1799. ... more details
Summary Mrs Garnerin parachutes in the Arena, Milan, 1824, Aquatint, 167 x 220 cm http www.fondazionenicolatrussardi.com pubblicazioni panMilano pages 24 v magistretti b.htm Licensing PD art ... more details
Summary Information Description St George s, Hanover Square , aquatint Source http www.bl.uk onlinegallery onlineex kinggeorge s 003ktop00000023u017b0000.html Date 1787 Author Thomas Malton Permission other versions Licensing PD art ... more details
Summary Description aquatint of Belmont Castle, England Belmont Castle in Grays , Essex Artist J. Raffield Date of publication 1797 Source http gallery.nen.gov.uk image658625 .html Licensing PD art ... more details
Summary Palace of Nawab of Awadh Nawab Shuja ud Daula at Lucknow , an aquatint made by Thomas Daniell and William Daniell in the late eighteenth century. Source http www.victoriamemorial cal.org dansujado.html Licensing PD art ... more details
Summary T.F. Simon, The Vess Collection, Fair Use of artwork prior to 1923 1910 , hand marked on paper as unique example, Not in Novak, Titled Paris Boulevard at Night , catalogued as AP6 from 1910, soft ground etching and aquatint in private American Collection. For non commercial purposes only. Licensing PD US ... more details
Summary Information Description selfportrait by Mina Nouri Etching and aquatint on rosaspina paper Source from the portraits serie by Mina Nouri Date 2007 Author Mina Nouri Permission Mina Nouri other versions Licensing GFDL migration not eligible ... more details
Summary Second Hand Booksellers, Spring , by T. F. Simon T.F. Simon Color soft ground etching and aquatint, Published 1912 by Georges Petit, Paris in an edition of 200. Actual size 9 3 8 x 9 3 4 inches Davidson Gallery, Seattle, when in possession of a copy, gave the following references Novak 197 F. Baker Inc. 115 Licensing PD art PD US 1923 abroad out of copyright in 2013 ... more details
Summary Description A stage setting for Act I of Aureliano in Palmira . Aquatint and watercolour. Artist Paolo Landriani 1755 1839 Engraver Publisher Stanislao Stucchi Source http archiviteatro.napolibeniculturali.it atn generale dettagli scenografie?oid 92409&descrizione Aureliano 20in 20Palmira&query start 1 Archivi di Teatro Napoli Licensing PD art ... more details
Summary Summary Description A stage setting for Act II of Aureliano in Palmira . Aquatint and watercolour. Artist Paolo Landriani 1755 1839 Engraver Publisher Stanislao Stucchi Source http archiviteatro.napolibeniculturali.it atn generale dettagli scenografie?oid 92411&descrizione Aureliano 20in 20Palmira&query start 3 Archivi di Teatro Napoli Licensing PD art ... more details
Summary Information Description Colored aquatint titled, The Royal Artillery Encampment, Arcot. Arcot, South India. Source http ogimages.bl.uk images 019 019XZZ000007683U00021000 5BSVC2 5D.jpg Date 1804 Author Hunter, James d. 1792 Permission other versions Uploaded by User Fowler& fowler font color B8860B Fowler& fowler font User talk Fowler& fowler font color 708090 Talk font 18 49, 12 November 2008 UTC Licensing PD art ... more details
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