orphan date April 2010 Infobox font name Andy image Andy mead typeface spec.svg style script typefaces script creator Steve Matteson creationdate 1991 ref cite web title Identifont url http www.identifont.com find?font Andy&q Go work publisher date accessdate 2009 10 01 ref foundry Monotype aka Andy Std, Andy Regular based on Mead Bold classifications Handwriting The Andytypeface originally known as Mead font is a childish style design by Steve Matteson and owned by Monotype Corporation Monotype Imaging . This typeface family has a controlled spontaneity feature which combines informality and legibility needed for long documents with handwriting form. The TrueType versions of this typeface have been tuned to be highly legible at low sizes, a quality level that is called ESQ Enhanced Screen Quality , a term used by the foundry. ref cite web author title MyFonts url http new.myfonts.com fonts agfa andy work publisher date 12 December 2001 accessdate 1 October 2009 ref ref cite web author title ITCfonts url http www.itcfonts.com fonts font pid 243439 Andy E2 84 A2 Complete Family Pack detail&grab id 0&page id 58980&query Andy&SCOPE ITCFonts work publisher date accessdate 1 October 2009 ref AndyBold is a casual script based on the handwriting of Steve s friend Andy Mead. References reflist External links http www.ascendercorp.com pdf AndyArticle.pdf The man behind the font http www.ascendercorp.com msfonts andy bold.html AndyBold Ascender Corporation http www.microsoft.com typography fonts font.aspx?FID 76&FNAME Andy Bold&FVER 1.03 AndyBold Microsoft typography http www.microsoft.com typography fonts font.aspx?FID 58&FNAME Mead Bold&FVER 1.50 Mead Bold Microsoft typography Category Casual script typefaces typ stub ... more details
selfref For the guideline on Wikipedia, see Wikipedia Be bold . Be bold may refer to Boldness , the opposite of shyness wikiquote Basil King Be bold,... , the first part of a quote attributed to author and reverend Basil King Be bold , a 2006 advertising campaign by Ford Motor Company A charity based in the North East of England which raises awareness for Alopecia disambig ... more details
typeface Hangil . The typeface, called Hangil E type E as in English language English within the package, also has a condensed form. It replaced a Latin grotesque typeface May not be Helvetica because ... uses Panno Text for their design. External links http www.cakelab.nl panno sign typeface Panno Sign and http www.cakelab.nl panno text typeface Panno Text at CakeLab http www.boldmonday.com en pannosign Panno Sign and http www.boldmonday.com en pannotext Panno Text at Bold Monday http www.fontshop.com fonts downloads bold monday panno sign ot Panno Sign , http www.fontshop.com fonts downloads bold monday panno sign rounded ot Rounded and http www.fontshop.com fonts downloads bold monday panno ... more details
Infobox font name Caract res image Caracteres.svg style Sans serif Caract res French for characters is a name of a sans serif typeface family for road sign s in France . There are three variants L1, L2, and L4. Caract res L1 is the bold variant, usually a black typeface on white background used on road signs , which hint at nearer places, and uppercase only. L2 is the medium variant which is a white typeface on green background for Routes Nationales or blue backgrounds for Autoroutes used on road signs which hint at distant places, and also uppercase only. L4 is the italic variant, which is like the L1 variant, is also a black typeface on white background, used on road signs inside cities to hint at near places and public facilities, both uppercase and lowercase. External links http simplythebest.net fonts fonts caracteres.html Traffic signs Category Sans serif typefaces fr Caract res sk Caract res ... more details
Infobox font name Balloon image Balloon typeface .svg style Script date 1939 creator Max R. Kaufmann foundry American Type Founders ATF sample File Balloon typeface sample.svg 250px Balloon is a Brush Script brush script commonly used for signage or display purposes. It was designed in 1939 by Max R. Kaufmann , for American Type Founders , in response to Howard Allen Trafton Howard Allen Trafton s Cartoon , cut for Bauer Type Foundry in 1936. It had no lowercase letters and was cast in Light, Bold, and Extra Bold. The two lighter weights were identical with Kaufmann typeface Kaufmann Script and so could be used as alternate capitals for that face. This font was digitized by the http www.bitstream.com Bitstream corporation. Nickelodeon TV channel Nickelodeon s logotype was set in Balloon from 1984 to 2009. Category American Type Founders typefaces Category Casual script typefaces Typography stub ... more details
Refimprove date December 2009 About the typeface Rockwell disambiguation Rockwell Infobox font name image RockwellWM.png style Serif classifications Slab serif releasedate 1934 foundry Monotype Rockwell is a serif typeface belonging to the classification slab serif , or Egyptian, where the serifs are unbracketed and similar in weight to the horizontal strokes of the Grapheme letters . The typeface was designed at the Monotype Corporation Monotype foundry s in house design studio in 1934. ref cite book page 194 isbn 07137 0191 9 title Encyclopaedia of Type Faces origyear 1953 year 1970 edition 4th authors W. Pincus Jaspert, W. Turner Berry and A.F. Johnson publisher Blandford Press location London ref The project was supervised by Frank Hinman Pierpont. Slab serifs are similar in form and in typographic voice to realist sans serifs like Akzidenz Grotesk or Franklin Gothic . Rockwell is geometric, its upper and lowercase O more of a circle than an ellipse. A serif at the apex of uppercase A is distinct. The lowercase a is two story, somewhat incongruous for a geometrically drawn typeface. Because of its monoweighted stroke, Rockwell is used primarily for display rather than lengthy bodies of text. Rockwell is based on an earlier, more condensed slab serif design called Litho Antique ... use of the Rockwell typeface. ref General Report on the 1986 World Exposition . Expo 86 Corporation, 1986, p. 115. ref Docklands Light Railway also used a bold weight of this typeface in the late 1980s and early 90s. The New York Times uses a similar typeface, Stymie Extra Bold, for the headlines and some other typographical uses in its Sunday magazine. The letterform of Stymie Extra Bold s lower case t is highly geometrical, whereas Rockwell s Extra Bold has a rounded letterform. The ascender of the Rockwell t is also cut at a sharp angle not to be found in the Stymie typeface. The CW television ... reflist DEFAULTSORT Rockwell Typeface Category Monotype typefaces Category Slab serif typefaces ... more details
typeface Bookman and a variant of Century Schoolbook Century Bold . ref By The New York Times. http ...Infobox font name style Serif classifications Antiqua typeface class old style image CheltenhamSp.png ... Benton br Joseph W. Phinney br foundry American Type Founders Cheltenham is a display typeface , designed ... typeface class old style and Serif Transitional transitional face, a Cheltenham headline complements ... , Ingalls Kimball , Morris Fuller Benton and or Joseph W. Phinney Cheltenham Bold 1903, Morris Fuller Benton Cheltenham Bold Condensed 1904, Morris Fuller Benton Cheltenham Bold Italic Cheltenham Bold Condensed Italic Cheltenham Wide Cheltenham Bold Outline 1905, Morris Fuller Benton Cheltenham Bold Extra Condensed Cheltenham Bold Extended 1906, Morris Fuller Benton Cheltenham Inline Cheltenham ... Cheltenham Medium 1909, Morris Fuller Benton Cheltenham Medium Italic Cheltenham Extra Bold 1910, Morris Fuller Benton Cheltenham Bold Shaded Cheltenham Bold Italic Shaded Cheltenham Extra Bold ... Fuller Benton Venetian typeface Venetian 1911, Morris Fuller Benton was originally called Cheltenham ... Intertype called their version Cheltonian Western Type Foundry called their version Chesterfield typeface Chesterfield Hansen Type Foundry called their version Craftsman typeface Craftsman Inland Type Foundry called their version Kenilworth typeface Kenilworth 1904 Keystone Type Foundry called their version Lowell typeface Lowell 1905, Charles W. Smith Stephenson Blake called their version Winchester typeface Winchester Monotype English Monotype called their version Gloucester typeface Gloucester Berthold company Berthold called their version Sorbonne typeface Sorbonne 1905 Cold Type Versions ... by various manufacturers under the following names ref W.F. Wheatley, Typeface Analogue .... 34 35. ref Nordoff Information International, Inc. Autologic Sorbonne typeface Sorbonne Berthold company Berthold Cheltonian Harris Corporation Harris Gloucester typeface Gloucester Monotype A cold ... more details
Unreferenced date April 2010 Compacta is a condensed sans serif typeface designed by the type designer Fred Lambert . It was used on screen by NBC Sports from 1991 95 and in the TV series Star Trek The Next Generation and Baywatch . It is available in light, regular, bold and black weights Citation needed date September 2011 . Category Sans serif typefaces typography stub ... more details
Infobox font name Auriol familyname image style Samples of display typefaces display typeface classifications Samples of display typefaces display typeface creator George Auriol commissioned by foundry Deberny & Peignot foundries creationdate releasedate 1901 trademark based on aka variations sample shown here sample fullimage Auriol is a Samples of display typefaces display typeface created by George Auriol in 1901 for the Deberny & Peignot foundry in Paris. George Auriol has been called the quintessential Art Nouveau designer according to Steven Heller and Louise Fili ref Heller, Steven and Fili, Louise. Typology. Chronicle Books, 1999. ISBN 0811823083, ISBN 9780811823081 ref . The letterforms he designed for his namesake typeface originated in Fran aise l g re and Fran aise allong e, two other fonts he designed for Deberny. All three typefaces are distinguished by brush like, unconnected strokes influenced by Japanese calligraphy . Auriol became a popular typeface in Europe and America in the early 20th century and was widely used as display type in books, poster s, and in the applied arts . It also was adopted for signage at Paris M tro stations. In 1979, during the revival of interest in the Art Nouveau period, Matthew Carter expanded the range of weights for Auriol by creating bold and black versions based on the original designs. Auriol is currently a trademark of Linotype GmbH , a subsidiary of Monotype Corporation ref http www.linotype.com 49 history.html Linotype History ref , and is registered in the U.S. Patent and Trademark Office . Notes reflist External links http www.linotype.com 70 auriol family.html Linotype Auriol , complete set of the nine fonts and ornaments copyright holder s website DEFAULTSORT Auriol Typeface Category Typesetting Category Typography Category letterpress typefaces Category photocomposition typefaces Category virtual typefaces design stub ... more details
geometric sans serif creationdate 1927 creator Paul Renner br Edwin W. Shaar Extra Bold, Extra Bold Italic br Tommy Thompson Extra Bold Italic br foundry Bauer Type Foundry based on Bauhaus foundries ... serif typeface designed in 1927 by Paul Renner . It is based on geometric shapes that became representative ... by the Bauer Type Foundry , in reaction to Ludwig & Mayer Ludwig & Mayer s seminal Erbar typeface ..., Medium, Bold, and Bold Oblique fonts in 1928. Light Oblique, Medium Oblique, Demibold, and Demibold ... in 1939. Extra Bold font was designed by Edwin W. Shaar in 1952. Extra Bold Italic font was designed ... many of its idioms and believed that a modern typeface should express modern models, rather than be a revival ... alternative characters and ranging old style figures, which can be found in the typeface Architype Renner . Futura has an appearance of efficiency and forwardness. The typeface is derived from simple ..., EMS and others of Boston, Massachusetts use Futura Black as a typeface for their department vehicles ... version of the original Futura font family. Bold and bold oblique fonts were released in 1930. Medium, medium oblique, extra bold, and extra bold oblique fonts were released in 1936. Light ... to create a typeface that would be closer to the nineteenth century sans serifs than to the geometric ... bold , kursiv halbfett medium italic , and kursiv fett bold italic . The font family was released in 1952 ... Yefimov and Alexander Tarbeev. It is available in Light, Medium, Bold, Black without oblique weights, while condensed fonts were made in Bold, Extra Bold, all without obliques. Also available are Cameo Extra Bold black in reverse , Shadow Light, Shadow Extra Bold black with shadow , Volume ... to include 7 weights, with Book, Medium, Bold, Extra Bold weights for condensed fonts. Additional ... Bukra is an Arabic variant designed by Pascal Zoghbi. It consists of Bukra Extra Bold, which was used as an Arabic display typeface for Ibn Battuta Mall in Dubai as a complement for Futura Extra ... more details
. Victor Caruso s 1975 revival, licensed by D Stempel AG, for the International Typeface Corporation ... used for NBC Sports on screen graphics from 1985 89. A shadowed bold weight version of Kabel was used for many years on MTV as the typeface in the opening closing lower third Motion picture credits ... use of Kabel is used for the L eggs Pantyhose logo. A lower case Kabel font is used as the typeface in the logo and other promotional materials for supermarket chain Piggly Wiggly The typeface was used ... t Anything used the typeface, in its heavy and regular weights respectively. The band s main songwriter ... film Lost in Translation , which used a heavy weight version of the typeface for its titles. Kabel is used at the typeface for the Self band Self album Breakfast with Girls . Kabel is used in the opening ... closing credits of The Fresh Prince of Bel Air . The typeface was used in the titling of the TV series Joey TV series Joey . The typeface was used in its book weight. Kabel Black was also used in the opening ... for the Georgia Times logo. Kabel Ultra is the typeface favored by the hate group Westboro Baptist ... more details
5 stub on the Piccadilly Line with text in the New Johnston typeface Image JohnstonSansPrintingBlocks.JPG ... typeface designed by and named after Edward Johnston . It is well known for its use by Transport for London . Johnston s former student Eric Gill also worked on the development of the typeface, ref ... accessdate 2007 11 05 ref which was later to influence his own Gill Sans typeface ... square dot. The capitals of the typeface are based on Roman Empire Roman square capitals, and the lower ... typeface grotesque , which tended to have squarer shapes. History The typeface was commissioned ... year 1995 isbn 1 85669 064 4 pages 81 2 ref Pick specified to Johnston that he wanted a typeface that would ... have the bold simplicity of the authentic lettering of the finest periods and belong unmistakably ... ref In 1933, The Underground Group was absorbed by the London Passenger Transport Board and the typeface ... The Johnston typeface was redesigned in 1979 by Eiichi Kono at Banks & Miles to produce New Johnston , the variant of the original typeface currently used by London Underground. The new typeface is slightly heavier or bolder than the original. The new family comes with Bold, Medium, Light weights. The new typeface replaced the old typeface. A further change occurred in 2008 when Transport for London ... face. The typeface was originally used for the headquarters building at 55 Broadway , SW1. It can ... Arnos Grove on the Piccadilly line. In early 2007, an electronic version of the typeface was developed ... Typeface Corporation released a variant in 1999 called ITC Johnston , produced by British .... However, it does not include the hooked 1 and uses side pointed 4. In November 2002, the typeface ... licensed the original Johnston typeface exclusively to P22 Type Foundry , available commercially as Johnston Underground. Johnston Underground included Regular, Bold, and Extras weights, with the Extra ... of the Underground typeface to create the Underground Pro or P22 Underground Pro family. The full ... more details
Infobox font name image FolioSP01.png style Grotesque sans serif date 1957 creator Konrad Bauer and Walter Baum foundry Bauer foundry variations Image AGcomparison08.svg thumb 250px Comparison of distinguishing characters in Akzidenz Grotesk , Folio, Helvetica , and Univers Univers 55 . Folio is a realist sans serif typeface designed by Konrad Bauer and Walter Baum in 1957 for the Bauersche Gie erei in English Bauer foundry . Bauer licensed the design to Founderie Typographique Francaise for sale in France under the name Caravelle. Like Helvetica and Univers , which were also released at the same time, it is part of the International Typographic Style and modeled after Akzidenz Grotesk . However, Folio is more closely modeled on Akzidenz Grotesk than the other two, which have larger x height s. Due to good marketing, the typeface experienced moderate success in the United States. The typeface family was extended in 1963, adding an Extra Bold weight and a Bold Condensed width. The cold type version was issued by Mergenthaler Linotype Company Hell AG . Visual Distinctive Characteristics Characteristics of this typeface are lower case square dot over the letter i . double storey a . upper case the capital Q s tail is centered under the figure, the uppercase J has a slight hook, and there are two versions of uppercase R , one with a straight tail and one with a curved tail. figures References Jaspert, Berry and Johnson. Encyclopaedia of Type Faces. Cassell Paperback, London 2001. ISBN 1 84188 139 2. Macmillan, Neil. An A Z of Type Designers. Yale University Press 2006. ISBN 0 300 11151 7. Philip B. Meggs Meggs, Philip B . and Rob Carter . Typographic Specimens The Great Typefaces. Wiley 1993. p. 139 ISBN 0 471 28429 7. typ stub Category Grotesque sans serif typefaces Category letterpress typefaces Category photocomposition typefaces Category virtual typefaces fr Folio police d criture nl Folio lettertype ... more details
but it was later expanded with a light a medium and a boldface bold . This version is called ... typefaces in the sic hide y Architype 3 Crouwel collection are sic hide y Architype Fodor typeface Fodor , sic hide y Architype New Alphabet typeface New Alphabet , sic hide y Architype Stedelijk and sic hide y Architype Catalogue. Other typefaces by Crouwel Fodor typeface Fodor New Alphabet typeface ... more details
ref Due to its popularity, Besley registered the typeface under Britain s Ornamental Designs Act ... 2008 06 27 fontlove clarendon ref Clarendon is considered the first registered typeface ... a bold and italics were cut in the 1950s. It was named after the Clarendon Press in Oxford . Designs for wood type were made from the mid 1840s on. The typeface was reworked by the Monotype foundry in 1935 ... wood type.html ref Appearances Image Clarendon sign.jpg thumb left 300px Clarendon Bold on a U.S. ... but has been replaced by NPS Rawlinson Roadway . In 2008, the typeface was utilized extensively by the Ruby ... Automobile Association , uses the typeface for its logo and headline copy. ref http www.viamagazine.com ... house manufacturer http www.alvsbyhus.se lvsbyhus . Fortune , or Volta , a typeface based on Clarendon .... Hermann Eidenbenz s Clarendon Bold is now used. The American rock band Switchfoot also utilizes a slightly .... ref P. T. Barnum is an example of this typeface. clear References reflist External links http stbride.org ... search?search 5Btext 5D Clarendon&page 1 List of fonts of the Clarendon typeface family at MyFonts.com http www.fonts.com findfonts detail.htm?pid 242563 List of fonts of the Clarendon typeface family at Fonts.com http www.linotype.com 261 clarendonlt family.html List of fonts of the Clarendon typeface ... more details
. Star Trek The Microgramma Emphasis typography Bold Extended typeface was used extensively ... culture Because of its bold, strong strokes and sharp square angles, Microgramma was soon appropriated ... of the real world s Compacta typeface Compacta typeface for all screen display lettering for its time ... 90 , Space 1999 , and UFO TV series UFO . The typeface remains in common use today examples of its ... more details
About the typeface Chicago disambiguation Infobox font name Chicago image Chicago typeface spec.svg style Sans serif date 1983 creator Susan Kare foundry Bigelow & Holmes Chicago is a sans serif typeface designed by Susan Kare for Apple Computer . It was used in the Mac OS Macintosh operating system graphical user interface user interface between 1984 and 1997 and was an important part of Apple s brand identity. It is also used in early versions of the iPod user interface. While initially a bitmap font , Apple commissioned the type foundry Bigelow & Holmes to create a TrueType version, as the operating system OS s capabilities improved. The typeface is named after the United States U.S. city of Chicago . According to Susan Kare, Chicago was the first font to be developed for the Macintosh. Citation needed date May 2009 Before the team settled on the familiar world cities naming convention for the fonts, it was called Elefont Elefont is also the name of a bold semi serif typeface designed by Bob McGrath in 1978 . The first bitmap version included only a 12 point typography pt. version. This font, with only very minor changes to spacing, was used for menus, dialogs, window titles and text labels in up to and including version 7.6 of the system. The TrueType version had many differences from the bitmap version, which became more apparent at greater sizes. One of Chicago s major features ... . In Mac OS 8 , Charcoal typeface Charcoal replaced Chicago as the default system font. Chicago ... designing user interfaces for the Chicago typeface, since the new alternate fonts used the Chicago ... iPod using an altered Chicago typeface in its user interface. Chicago was also used in Apple marketing ... screen became once again an asset. With the introduction of the iPod mini , a smaller typeface ... typeface Myriad Pro typeface which Apple has adopted gradually for its marketing since 2002. Chicago is a registered trademark typeface fonts recorded on computer software , belonging to Apple ... more details
lowercase Windsor Bold in its logo since 1981. citation needed date October 2011 Windsor Bold is also the typeface used in the 1980s trading card series Garbage Pail Kids . citation needed date October ... Typeface Category Display typefaces Category Old style serif typefaces Category Letterpress typefaces ... more details
foundries including Futura typeface Futura , Metro, Vogue, Spartan typeface Spartan , Twentieth Century typeface Twentieth Century , and Century Gothic among others. Of these, Futura proved to be the most ... Typeface Category 1922 introductions Category Geometric sans serif typefaces Category Graphic design ... more details
of typographers have come to loathe it. Simon Garfield lists it as the seventh worst typeface ..., p. 222. ref Peter Guy, and Mark Batty who called it A terrible typeface. A sort of Saturday Night Fever typeface wearing tight white flannel pants. . ref Garfield, p. 302. ref References Reflist External ... more details
Image ConstructaSP.svg right thumb 239px Constructa a knock off of Tower by Elizabeth Cory Holzman from the original design by Morris Fuller Benton. It is licensed by Font Bureau. Tower was a slab serif typeface designed by Morris Fuller Benton for American Type Founders , and based upon his earlier design for Stymie typeface Stymie , but with straight sides to the round letters emphasizing the vertical appearance. Tower Italic was designed but not cast. In 1936, Tower Bold was started by the same designer, but was instead made into Stymie Bold Condensed. ref Mac MacGrew, American Metal Typefaces of the Twentieth Century, Oak Knoll Books, New Castle Delaware, 1993, p. 309., ISBN 0 938768 34 4. ref Digital Type Tower was digitized as Constructa by Elizabeth Cory Holzman for Font Bureau . Holzman s revival includes a light weight called Constructa Thin and an extra bold called Constructa Black . References Blackwell, Lewis. 20th Century Type. Yale University Press 2004. ISBN 0 300 10073 6. Fiedl, Frederich, Nicholas Ott and Bernard Stein. Typography An Encyclopedic Survey of Type Design and Techniques Through History. Black Dog & Leventhal 1998. ISBN 1 57912 023 7. Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. The Encyclopedia of Type Faces. Blandford Press Lts. 1953, 1983. ISBN 0 7137 1347 X. Macmillan, Neil. An A Z of Type Designers. Yale University Press 2006. ISBN 0 300 11151 7. reflist Category Slab serif typefaces Category American Type Founders typefaces Category letterpress typefaces Category virtual typefaces typ stub ... more details
Infobox font name Stencil style Serif classifications Display image StencilSp.svg Stencil style Sans Serif classifications Display creator R. Hunter Middleton , Gerry Powell commissioned by foundry Ludlow Typograph , American Type Founders foundries creationdate releasedate 1937 trademark based on Clarendon typeface Clarendon aka variations sample shown here sample fullimage Image Feliz 1984.JPG thumb right 240px Happy 1984 Stencil graffiti found on the Berlin Wall in 2005. The object depicted is a DualShock video game controller. Stencil refers to two typefaces released within months of each other in 1937. The face created by R. Hunter Middleton for Ludlow Typograph Ludlow was advertised in June, while Gerry Powell Gerry Powell s version for American Type Founders appeared one month later. Both fonts consist of only capital letters with rounded edges and thick main strokes, much like a Clarendon typeface Clarendon typeface, except with breaks in the face to give it the appearance of the stenciled alphabets used on boxes and crates. ref MacGrew, Mac, American Metal Typefaces of the Twentieth Century Oak Knoll Books, New Castle Delaware, 1993, ISBN 0 938768 34 4, pp. 292 293. ref Digital Copies Stencil has been copied by many digital producers, including Linotype GmbH , Adobe Systems Adobe , URW . As the A.T.F. version is heavier, it is often called Stencil Bold when copied. In 1997, Alexei Chekulaev made a Cyrillic version of Stencil Bold , called Stencil Cyrillic Regular. In Rookledge s Classic International Typefinder ref Perfect, Christopher, Gordon Rookledge, Phil Baines, Rookledge s Classic International Typefinder, Lawrence King Publishing, London, 2004, ISBN 978 1856694063, p. 575. ref , the entry Stencil Bold shows the existence of a lowercase letters in the font that are unavailable from either actual type foundries or the producers of digital type. In popular culture Stencil is a common font for army themed displays, including The A Team television series. ... more details
Infobox font name Ellington image Ellington.svg Bold style Display date 1988 creator Michael Harvey lettering artist Michael Harvey foundry Adobe Systems Adobe sample File Ellimgton sample.svg 250px Ellington is a display typeface designed by Michael Harvey lettering artist Michael Harvey ref http www.myfonts.com fonts agfa ellington mt familytree.html Ellington Family Tree on www.myfonts.com ref licensed from Monotype . It was designed in 1990 and it is named after Duke Ellington . The face has a large x height and combines features of a modern serif typefaces with calligraphic elements. See also Samples of display typefaces References reflist typ stub Category Monotype typefaces Category Modern serif typefaces Category Display typefaces ... more details
cold type era, and it was sold then under the following names ref Wheatley, W.F., Typeface Analogue ..., p. 7 Alexander S. Lawson Lawson, Alexander , Archie Provan, and Frank Romano, Primer of Typeface Identification ... Copies A digital version, called New Caledonia, available in four weights text, semibold, bold ... more details
Encyclopedia
top
